WASHINGTON, D.C. — An iconoclastic filmmaking legend and one of the world’s most enduring musical acts headline this year’s crop of Kennedy Center Honors recipients.
Director Francis Ford Coppola and the Grateful Dead will be honored for lifetime achievement in the arts, along with jazz trumpeter Arturo Sandoval, blues legend Bonnie Raitt and the legendary Harlem theater The Apollo, which has launched generations of black artists.
Starting as a folk-infused quintet in psychedelic-era 1960s San Francisco, the Grateful Dead steadily morphed into a cultural phenomenon and one of the most successful touring acts ever.
Fueled by the carnival atmosphere of its traveling Deadhead fanbase and an ethos that encouraged tape trading and emphasized live performance over studio output, the Dead has spanned multiple generations and remains wildly popular. Lead guitarist and founding member Jerry Garcia died in 1995, but the band continues almost nonstop touring in multiple incarnations.
“There are a lot of ingredients that go into it,” drummer Mickey Hart said when asked about the longevity of the music. “The fans say that the shows feel like home. It gives them that feeling of connectedness, community, joy, and love for life and the music.”
Coppola, 85, has established himself as a trailblazing filmmaker, winning five Academy Awards and earning a reputation as a driven artist willing to risk his reputation and finances for his vision. Even after the massive successes of “The Godfather” and a sequel, Coppola drove himself into near bankruptcy while filming “Apocalypse Now,” another classic.
At times, he wondered whether he had ruffled too many powerful feathers along the way ever to receive Kennedy Center Honors induction.
“I’ve been eligible for the past 20 years, so the fact that I never received it made me feel that maybe I never would,” said Coppola, who participated in fellow director Martin Scorsese’s induction in 2007. “I just assumed I wasn’t going to win it, so to hear that I was chosen was a surprise and a delight.”
Coppola, who has produced wine from his northern California vineyard for more than 40 years, also congratulated another northern California recipient this year.
“And it’s a big treat to be there this year with the Grateful Dead, my San Francisco colleagues,” he said. “I’m very delighted and pleased.”
Sandoval, 74, rose to prominence as a musician in his native Cuba, playing piano and percussion but specializing in the trumpet. His work brought him into contact with jazz legend Dizzy Gillespie, who championed his music and personally helped him defect from Cuba while on tour in Europe in 1990.
“Modestly apart, I do think I deserve it. I worked so hard for so many years,” Sandoval told The Associated Press. “It’s a huge honor, and I feel completely overwhelmed. I have to pinch myself sometimes. I’m just a little farmer from Cuba. God has been so good to me.”
Raitt’s memories of the Kennedy Center Honors go back to the 1970s when she accompanied her father, Broadway performer John Raitt, who was participating in a tribute to composer Richard Rogers.
“I got to visit the White House and hang out with the Carters,” said Raitt, 74. “I got my first taste of what this weekend means.”
As an adult performer, Raitt experienced the other side of the Kennedy Center Honors equation: performing as part of tributes to Mavis Staples in 2016 and Buddy Guy in 2012. These performances are frequently kept secret from the honorees themselves, and Raitt said she looks forward to seeing who the planners come up with for her tribute.
“I want to be surprised, and I don’t want to know,” she said.
Over a 50-year career, Raitt has received many music awards, including 13 Grammys and induction into the Rock and Roll Hall of Fame. Rolling Stone magazine named her to its list of the 100 greatest guitarists and singers of all time. But Raitt said the Kennedy Center Honors status holds a special place because it extends to all aspects of the performing arts, encompassing all forms of music, dance and performance.
“The thing that puts (Kennedy Center Honors) at the pinnacle is that it’s culture-wide,” she said. “It’s hard for me even to fathom what this means.”
It’s extremely rare for the Kennedy Center Honors to select a venue rather than a performer.
“It’s not a traditional honoree, for sure,” said Michelle Ebanks, the theater’s president and CEO, who cited the recent induction of the show “Sesame Street” as a similar out-of-the-box selection. “We’re delighted by the honor.”
